I am learning the signs. I am seeing that the eye gives the breath of a sign into the ear by a stylus on clay [which is] dried [and] polished. The eye and the mouth, with the resting of the voice, have come to the splendour of old age. See, now I shall be seen for a thousand lifetimes of the world.
Serabit el-Khadem, Sinai Desert, 1850 BC. The Canaanite miners were jealous. They toiled in the merciless desert digging for turquoise in the Egyptian mines, isolated from their families and civilization. They watched as the Egyptian overseers prayed to their goddess Hathor, Mistress of Turquoise, in her temple, currently being renovated and enlarged by Pharaoh Amenemhet III, but to which they were barred. They saw the stelae2 dedicated to her, covered in small drawings they couldn’t understand but knew ensured the success of their enterprise by her divine hand. Some among their people could read a bit. Khebeded, their Canaanite workforce leader, official in the Egyptian mining operation, and esteemed “Brother of the Ruler of Retenu” (an ancient name for Canaan), spoke Egyptian and knew a little hieroglyphics. The pictures represent words and sounds, they learned. If we make our own inscriptions, they thought, we could ensure our own success by our goddess, our “ba‘alat” (mistress), Asherah. We, too, could make our names endure for eternity! Continue reading
Notes [ + ]
|1.||⇧||At least according to Brian E. Colless. Most scholars regard the Izbet Sartah inscriptions as nonsensical. More on the inscription soon.|
|2.||⇧||plural of stela, also spelled stele, a stone monument with inscriptions|